6 Justin M. Berg. Balancing on the Creative High-Wire: Forecasting the Success of Novel Ideas in Organizations, неопубликованная докторская диссертация, University of Pennsylvania, 2015.
7 Обзор см. в: David Dunning, Chip Heath, and Jerry M. Suls. Flawed Self-Assessment: Implications for Health, Education, and the Workplace 11 Psychological Science in the Public Interest 5 (2004): 69-106.
8 Arnold C. Cooper, Carolyn Y. Woo, and William C. Dunkelberg. Entrepreneurs" Perceived Chances for Success // Journal of Business Venturing 3 (1988): 97-108; Noam Wasser-man. How an Entrepreneur"s Passion Can Destroy a Startup, // Wall Street Journal, August 25, 2014, www.wsj.com/articles/how-an-entre-preneur-s-passion-can-destroy-a-startup-1408912044.
9 Dean Keith Simonton. Creativity as Blind Variation and Selective Retention: Is the Creative Process Darwinian? // Psychological Inquiry 10 (1999): 309–328.
10 Dean Keith Simonton. Creative Productivity, Age, and Stress: A Biographical Time-Series Analysis of 1 °Classical Composers // Journal of Personality and Social Psychology 35 (1977): 791–804.
11 Aaron Kozbelt. A Quantitative Analysis of Beethoven as Self-Critic: Implications for Psychological Theories of Musical Creativity // Psychology of Music 35 (2007): 144–168.
12 Dean Keith Simonton. Creativity and Discovery as Blind Variation: Campbell"s (i960) BVSR Model After the Half-Century Mark / / Review of General Psychology 15 (2011): 158–174.
13 Dean Keith Simonton. Creative Productivity: A Predictive and Explanatory Model of Career Trajectories and Landmarks // Psychological Review 104 (1997): 66–89.
14 London Philharmonic Orchestra and David Parry. The jo Greatest Pieces of Classical Music. X5 Music Group, November 23, 2009.
15 Aaron Kozbelt. Longitudinal Hit Ratios of Classical Composers: Reconciling “Darwinian” and Expertise Acquisition Perspectives on Lifespan Creativity // Psychology of Aesthetics, Creativity, and the Arts 2 (2008): 221–235.
16 Ira Glass. The Gap, accessed on April 14, 2015, at https:// vimeo.com/85040589.
17 Dean Keith Simonton. Thomas Edison"s Creative Career: The Multilayered Trajectory of Trials, Errors, Failures, and Triumphs // Psychology of Aesthetics, Creativity, and the Arts 9 (2015): 2-14.
18 Robert I. Sutton. Weird Ideas That Work: 11V2 Practices for Promoting, Managing, and Sustaining Innovation. New York: Simon & Schuster, 2001.
19 Teresa M. Amabile. How to Kill Creativity // Harvard Business Review, September-October (1998): 77–87; Teresa M. Amabile, Si-gal G. Barsade, Jennifer S. Mueller, and Barry M. Staw. Affect and Creativity at Work // Administrative Science Quarterly 50 (2005): 367–403.
20 Upworthy. How to Make That One Thing Go Viral, December 3, 2012, www.slideshare.net/ Upworthy/how-to-make-that-one-thing-go-viral-just-kidding, and 2 Monkeys Were Paid Unequally; See What Happens Next, November 11, 2013, www.upworthy.com/2-monkeys-were-paid-unequally-see-what-happens-next.
21 Brian J. Lucas and Loran F. Nordgren. People Underestimate the Value of Persistence for Creative Performance // Journal of Personality and Social Psychology 109 (2015): 232–243.
22 Личное интервью автора с Лиз Уинстед, 8 февраля 2015.
23 Charalampos Mainemelis. Stealing Fire: Creative Deviance in the Evolution of New Ideas // Academy of Management Review 35 (2010): 558–578; Aren Wilborn. j Hilarious Reasons Publishers Rejected Classic Best-Sellers // Cracked, February 13, 2013.
24 Jennifer S. Mueller, Shimul Melwani, and Jack A. Gon-QALO. The Bias Against Creativity: Why People Desire But Reject Creative Ideas // Psychological Science 23 (2012): 13–17.
25 Erik Dane. Reconsidering the Trade-Off Between Expertise and Flexibility: A Cognitive Entrenchment Perspective // Academy of Management Review 35 (2010): 579–603.
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